Showing posts with label Drama. Show all posts
Showing posts with label Drama. Show all posts
Wednesday, January 16

The Abduction Club

Based on actual events that took place in Waterford, Ireland, in the late 1700s, director Stefan Schwartz's romantic comedy-drama concerns itself with a group of abductors who kidnap usually willing young women in order to persuade them to wed.

Set during an era where law dictates that the eldest sons inherit family estates and younger siblings are left to either enter the priesthood or the military, young noblemen decide to take matters into their own hands by abducting the young heiresses and charming them for a night before releasing them to make their ultimate decision.

As Anne (Sophia Myles) is subjected to the uninvited advances of Power (Liam Cunningham), Abduction Club member Byrne (Daniel Lapaine) schemes to kidnap Anne's older sister Catherine (Alice Evans).

Though the kidnapping plan is foiled when Anne decides to tag along, Byrne's friend Strang (Matthew Rhys) finds himself attracted to the younger sister despite Abduction Club rules stating that abductees must be at least 18 (Anne is 17) and that no more than one member of the same family is to be abducted at any given time. Strang is subsequently expelled by Abduction Club leader Sir Myles (Patrick Malahide), and the fledgling affections of the mismatched couple face a formidable challenge as the local militia is tipped off to their scheme. ~ Jason Buchanan, Rovi

Watch the trailer below and the movie here or here.

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Tuesday, November 27

Watchmen

Set in an alternate universe circa 1985, the film's world is a highly unstable one where a nuclear war is imminent between America and Russia.

Superheroes have long been made to hang up their tights thanks to the government-sponsored Keene Act, but that all changes with the death of The Comedian (Jeffrey Dean Morgan), a robust ex-hero commando whose mysterious free fall out a window perks the interest of one of the country's last remaining vigilantes, Rorschach (Jackie Earle Haley). His investigation leads him to caution many of his other former costumed colleagues, including Dr. Manhattan, Night Owl (Patrick Wilson), Ozymandias (Matthew Goode), Sally Jupiter (Carla Gugino), and her daughter, The Silk Spectre (Malin Akerman).

Heralded for bringing the world of superheroes into the literary world, Watchmen gave the super-powered mythos a real-life grounding that had been missing in mainstream comics to that point. The film adaptation had languished in one form of development hell or another for years after the book's release, with various directors on and off the project, including Terry Gilliam, David Hayter, and Darren Aronofsky, as well as Paul Greengrass, whose eventual dismissal stemmed from budget conflicts with the studio.

Watch the trailer, below, and the movie on SockShare, FileNuke or NowVideo.

 
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Saturday, September 8

Night of the Templar

Here lies a tale of passion, loyalty, deceit, betrayal...and revenge. They were Warriors. They were Crusaders. Under the leadership of the righteous GREGOIRE, this band of brothers in the Holy Order of the Knights Templar selflessly fought back-to-back, defending GOD and the "True Cross." Until one dark night of utter betrayal...

B-Movie Addiction says...

Night of the Templar (alternatively titled 'Knights Templar') is a unique movie to say the least. It's a medieval revenge story wrapped in a modern-day horror mystery wrapped in a suspense thriller. It's somewhat all over the place, and you do need to pay attention to sort out what's what since there are two parallel plot-lines. If you don't, you'll find yourself wondering what the hell is going on.

The story begins in the year 1095 CE, following a leader of a band of templar knights named Gregoire (Paul Sampson) during the crusades. We see him at the pointy end of a sword uttering a curse to the unseen man holding the sword that he will return from the grave to send him and his accomplices to hell. The film cuts between modern day and 1095 as we learn more about the characters and exactly what happened with the Templars.  As the story unfolds, we learn that the reason for the betrayal is as minimal as the acting from the female cast. Greed. Plain old greed. Templars want to get laid and have money while doing it. Gregoire says no. Murder and betrayal follow.

The modern-day plot focuses on a fantasy-weekend getaway to a European castle, almost in a reality TV show format except that there is a looming purpose over it. Everyone starts to recognize that they are the reincarnations of the templars, good and bad, after reading the story over the course of the night thanks to a conveniently placed coffee-table version of the story left out. It's done in a NeverEnding Story-esque style, the guests read the story out loud between scenes of what happened in the past to Gregoire. Surprisingly, the story begins to come alive! People start getting murdered, the first by... *gasp*... someone dressed as a templar knight. The murder mystery begins to kick in when bodies start turning up in slightly stranger ways: a body nail-gunned to the wall, a cook's tongue removed. The difference in methodology between the templar's holy justice and just plain cruel murder gives reason to believe there is slightly more to the tale. And I do mean slightly.

This movie is not really that complex to figure out if you are paying attention. It's shockingly straight forward as it goes on. The host of the weekend, the reincarnated Gregoire, discovers the bodies and without emotional reaction says brilliant phrases such as "great... I have to cook... and clean..." Not to mention right from the beginning he experiences stigmata-type pains of getting stabbed in the back, literally, by his former comrades. The guests take turns in voicing their opinions on whether they would have supported or betrayed Gregoire, letting you figure out who they are or could possibly be rather quickly.

The murder scenes are laughably bad. The actual killing is done slightly off camera while they zoom in on the faces. Despite the lameness, there's something incredibly satisfying in seeing a Scream-style knifing committed by a templar knight. The big battle at the climax is equally is terrible. "I shall cut you ten times! One for each life of excess!" is screamed by Gregoire as he achieves his justice. The fighting is just as corny as the dialogue. The two big matches are between the young knight and a 60 year old priest and a young girl vs. David Carradine. Not really blockbuster action, it's pretty funny and I think it was meant to be. One of the battles is even won through the power of love.

A big part of the strange allure is the strange cast of characters and their actors as well. Udo Kier plays a mysterious priest, whose motives are unclear through most of the movie. Billy Drago plays the chef named Shauna in full drag. Super creepy. Norman Reedus, a.k.a Daryl Dixon from The Walking Dead, makes an appearance as an asshole who enjoys choking himself while receiving fellatio. David Carradine plays the local shopkeeper who has a couple incredibly corny scenes. Awesome to see him in one of his last hurrahs. Paul Sampson has a really unique and awkward screen presence that's strangely addicting to watch. The combination results in a blend of strange awkward creepiness that somehow works.

And with all that said, this review is like the movie itself... All over the place. I actually did enjoy this movie a lot despite the sarcasm. It's allure lies in just how weird it is. From Paul Sampson's strange Boston/Little Nicky accent to his templar speech delivered like an Oprah "...and you get a car! and you get a car!" pointing with his sword at his knights. It's just loveable. A definite guilty pleasure. It looks good too. For an indie film the production quality and camera work is quite exceptional. Interesting semi-twist at the end too, that will give you something to talk about whoever you're watching it with.

Night of the Templar is definitely worth a watch. It will keep you entertained from start to finish. It's a loveable oddity in film, venturing far from the path of Hollywood predictability. Watch the trailer below and the film on PutLocker, WatchFreeInHD, HDPlay or SockShare.

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The Elephant Man

Based on the true story of Joseph Merrick, a 19th-century Englishman afflicted with a disfiguring congenital disease. A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.

Stars John Hurt, Anthony Hopkins and Anne Bancroft.

Watch the trailer below and view the film at PutLocker, WatchFreeInHD, HDPlay or SockShare.

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Something Wicked This Way Comes

Ray Bradbury adapted his own novel for Something Wicked This Way Comes, Jack Clayton's beautiful rendering of the turn-of-the-century fantasy of a mysterious carnival that literally blows into a small town to taunt and tempt the inhabitants.

Jonathan Pryce (Brazil), the handsome but demonic proprietor of Dark's Pandemonium Carnival, preys upon the vanities, the delusions, and the regrets of the townspeople by granting their wishes at the expense of their souls. Jason Robards, as the meek librarian Charles Halloway, becomes his unlikely nemesis when his son Will, with his best friend Jim Nightshade (a deliciously dark name in its own right), discovers the secret of Dark's nightmarish carnival.

When they become hunted by Dark's minions (including Pam Grier as the beautiful and mysterious Dust Witch), Halloway must confront his own fears and regrets to save the boys. Clayton captures the idyll of childhood in the fall with rich autumnal colors, his camera gliding along with the energetic boys as they tear through field and forests.

The climax, however, gets lost in a cacophony of competing special effects, imaginatively visualized but never very terrifying, as if producer Disney resisted the uneasy undercurrent of the story. It's more dark fantasy than horror, a nightmarish adventure filtered through the memory of a man remembering his childhood in mythic terms.

View the trailer below and watch the movie on PutLocker, SockShare, HDPlay or WatchFreeInHD

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The Answer

A man recalls his life in short while contemplating suicide. As he discusses his thoughts and state of mind, he chooses to control the only thing that he can. The last thing that he will ever see.

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Saturday, September 1

The Handmaid's Tale

Set in a Fascistic future America, The Handmaid's Tale tells the story of Kate, a handmaid. In this America, the religious right has taken over and gone hog-wild. Kate is a criminal, guilty of the crime of trying to escape from the US, and is sentenced to become a Handmaid.

The job of a Handmaid is to bear the children of the man to whom she is assigned. After ruthless group training by Aunt Lydia in the proper way to behave, Kate is assigned as Handmaid to the Commander. Kate is attracted to Nick, the Commander's chauffeur. At the same time, a resistance movement begins to challenge the regime.

Download the book in mobi or epub, and watch the film here or here.
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Saturday, August 25

The Tiger and the Snow

A love-struck poet travels into the heart of wartime Iraq in hopes of rescuing the woman he loves in Academy award-winning director Roberto Benigni's affecting tale of love and devotion.

A kind poet and father to his daughters, a respected lecturer and literary figure to his students, and a complete nuisance in the eyes of his beloved Vittoria (Nicoletta Braschi), Attilio (Benigni) finds his life suddenly turned upside down when he learns that the object of his undying affections has been critically injured in a Baghdad bombing.

Now, despite the chaos sweeping through Iraq, Attilio vows to risk everything in order to travel into the heart of Baghdad and deliver the medicine that will awaken the woman of his dreams from a potentially eternal slumber. Jean Reno and Tom Waits co-star in this heartfelt, serio-comic romance, which pits the uplifting power of love against the destructive force of bombs.

Watch the feature film on Sockshare, Putlocker, NovaMov, GorillaVid, NosVideo, FileBox or UploadC.

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Harold and Maude

Self-destructive and needy but wealthy teenager Harold is obsessed with death and spends his leisure time attending funerals, watching the demolition of buildings, visiting junkyards, simulating suicides trying to get the attention of his indifferent, snobbish and egocentric mother, and having sessions with his psychologist.

When Harold meets the anarchic seventy-nine-year-old Maude at a funeral, they become friends and the old lady discloses other perspectives of the cycle of life for him. Meanwhile, his mother enlists him in a dating service and tries to force him to join the army. On the day of Maude's eightieth birthday, Harold proposes to her but he finds the truth about life at the end of hers.

Watch the trailer below and the film at Veehd or Veoh.

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Fetih 1453

In 1453, the Byzantine capital of Constantinople is surrounded by Ottoman Turks. The city is but a shadow of its former glory due to the empire's ever receding coffers, while the Ottoman Empire continues to grow rich. After years of tolerating the existence of Byzantium, the ambitious sultan, Mehmet II launches his campaign to end the Byzantine Empire and take Constantinople for the Ottomans, resulting in arguably the greatest siege of that age. Watch the trailer below and the film from source one, two or three.

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Róza

Róza: A harrowing tale of survival centers on Rose, a Masurian woman, whose husband, a German soldier, was killed in the war leaving her alone on their farm.

A single woman had no defense against Russian soldiers who raped as a form of revenge, nor against plundering Poles who found themselves in desperate straits. The law of the jungle had replaced the rule of law. Help arrives for Rose in the form of Tadeusz, a former officer in the Polish Home Army who survived the Warsaw uprising and is attempting to hide his identity...

The film opens up on a brutal note instantly - an officer of the Polish Home Army (the dominant Polish resistance movement in German occupied Poland) wakes up on a battlefield, shell-shocked, and he watches as a few German soldiers rape a Polish woman before shooting her in the head.

The war has ended and he travels to East Prussia to hand over some possessions of a Polish man who was in the German Army whose death he had witnessed on the battlefield to his wife. She welcomes him to stay, in order to protect her from the lawless atmosphere of the region on the eve of Soviet take over. This woman has been brutally raped many times; by Red Army soldiers and by her own people, driven mad by war.

Director Wojciech Smarzowski has made a towering achievement here; he is a master of portraying human misery in how he gets close-ups of the characters faces, and he seems to know just where to look in order to the get the best out of the body language of the characters. The acting is authentic and superb, and overall, it is a brilliant film, albeit, some parts of it historically are a bit blurry (I mean, the idea of this man who was in the Warsaw Uprising fighting for his country and returning the possessions of a German soldier to his wife is quite vague) but this film, is a devastating conclusion to the most destructive war in human history.

Watch the trailer below and the film from sources one, two, three, four and five.

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The Fast And The Furious

A prison escapee commandeers a young woman and her hotrod in a mad dash to Mexico! (The exclamation mark may seem gratuitous, but when you're dealing with jailbirds on the run, fast cars, and fast women, the punctuation may as well get some extra gas too.) The Fast and the Furious (1955) was directed by John Ireland (who also starred in the lead role of Frank Webster) and Edwards Sampson (who was also the film editor). Another young man helps out behind the camera too: the fledgling and 28-year-old producer, Roger Corman.

This second-unit direction marked Corman's first experience behind the camera and played a pivotal role in making him realize that he could direct his own films. For The Fast and the Furious Corman made the choice of putting Ireland at the helm as a way of getting the actor to take on the role for considerably less than his usual fee and it also allowed Corman, for the first time, to work with a "name" actor. Corman also gets credit for the story, filled in as a stunt driver, obtained Jaguar racing cars in exchange for product placements, and cribbed racing footage from the Jaguar Open Sports Car race at Monterey.

The Fast and the Furious was shot for $50,000 in nine days and, even though it was only the second film to come out under his full aegis, right after Monster from the Ocean Floor (1954), it has all the DNA of a classic Corman film. It's a simple story, made cheap and on the fly with several niche markets in mind, but it has so much moxie behind the camera that some of it can't help but bust out on the big screen. More importantly, The Fast and the Furious played a strategic and precedent-setting role in allowing Corman to negotiate a multi-picture deal that was pivotal in launching American Releasing Corporation (which soon thereafter changed its name to American International Pictures, or AIP) and it also gave him the financial structure he needed to make more movies. A lot more.

"The Fast and the Furious" - it's a great title, one that grabs your attention. Rob Cohen certainly appreciated the impact of those simple words when he re-used them for his 2001 film starring Vin Diesel and Michelle Rodriguez - but that film is not a remake and only the title rights, not the story rights, were purchased (on the audio-commentary for the DVD, Cohen says he gave Corman stock-footage in exchange for the title). With a fourth installment on the way, the title is certainly getting a lot of mileage.

In the 1955 film we are introduced to Connie Adair (Dorothy Malone), an upper-class blonde who drives her Jaguar along a windy road and takes a break at a diner for an egg salad sandwich and some pineapple juice. She meets a truck driver (Bruno VeSota) and sits at the counter next to a quiet and brooding guy in a leather jacket. As the waitress gets her order conversation is centered on the news reports involving Frank Webster, who was put in jail for intentionally running another truck off the road and killing the driver. As we find out that Webster broke out of jail and is wanted for murder the quiet guy at the counter starts to leave but is stopped when the trucker pulls out a revolver and asks him to show his I.D., resulting in a scuffle that leaves the trucker unconscious and our mystery man in possession of a gun - which he now uses to grab Connie and her car for a trip across the border to Mexico. Yes, he's Webster but, no (as he later tells Connie), he did not murder anybody and has, instead, been set up with no hope of justice.

The story for The Fast and the Furious recycled ideas from the very first film Corman worked on called Highway Dragnet (1954), which he co-wrote and co-produced. It points to a theme that Corman admits "would recur time and again throughout my directing career," because he is "attracted to stories about outcasts, misfits, or antiheroes on the run or on the fringe of society." The character of Frank Webster is certainly all of those things, but the interesting revelation made by the film is that the woman he kidnaps has some things in common with him despite the fact that they appear to be complete opposites. This attractive and independent woman with a jaguar convertible is also an outcast and misfit because, as it turns out, she is barred from the racing circuit she wants to join due to the fact that it won't allow women to participate.

While few people will rush to cite Corman's The Fast and the Furious as a great cinematic example to advance the cause of women's liberation (mainly because Webster treats Connie like luggage throughout most of the film) it does present us with two strong characters that ultimately compliment each another. Webster's insensitive tough-guy persona is easily traced to the kind of no-nonsense roles that people like Humphrey Bogart cut their teeth on and, similarly, Connie's scrappy independence lives under the shadow cast by the likes of Katharine Hepburn. It was a time when even low-budget films destined for a quick-turnaround in marginal markets still catered to adults and didn't think twice about having a hound dog protagonist in his 40's trying to make time with a woman - in-between drag-races and car-chases, of course.

Producer: Roger Corman, Jack Milner
Director: John Ireland, Edwards Sampson
Screenplay: Roger Corman, Jean Howell, Jerome Odlum
Cinematography: Floyd Crosby
Film Editing: Edward Sampson
Music: Alexander Gerens
Cast: John Ireland (Frank Webster), Dorothy Malone (Connie Adair), Bruce Carlisle (Faber), Iris Adrian (Wilma Belding), Marshall Bradford (Mr. Hillman), Bruno VeSota (Bob Nielson).
BW-73m.

Watch below or on YouTube.



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Gone with the Wind

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie.

Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie...

The film stars Clark Gable and Vivien Leigh in the tiles roles with Leslie Howard. Hattie McDaniel and Olivia de Havilland. Watch the trailer below and the film from sources one, twothree or four.

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Friday, August 24

The Secret Laughter of Women

Matt, a rich writer, is in fact still just a boy in his behaviour. He doesn't care about anyone's but his own needs and couldn't care less about the consequences of any of his actions. Just as he gets to know Nimi and her bonds with her familiy and her communitiy he starts to feel that something is missing in his live.

He starts to realize that he is in fact lonely and stuck in impersonal structures that are just convenient but lack heart and commitment. Nevertheless he shies away from any responsibilties and is reluctant to change his live. But will he be able to settle again in his old life and ignore the bonds he's already - unconsciously - formed?

Nimi's situation is the absolute opposite. She is pressed into the regulations of her Nigerian community, its prejudices and its medieval values. Being a single mother her position is difficult and it gets even worse when she falls in love with Matt, a white devil (as the Referend would say), a man who cannot commit. The women of the community plan to marry her to the Referend to end her single status and give Sammy "a name". But that would mean for Nimi to give up all independence and self-determination. But is there an alternative for her if she wants Sammy to be accepted and herself to become a respected member of the community?

This film was screened in the 1999 London Film Festival. Director: Peter Schwabach. Stars: Colin Firth, Nia Long and Dan Lett. Watch from the YouTube playlist or via DailyMotion below.


The Secret Laughter of Women part1 by wolemification
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Kansas City Confidential

Kansas City Confidential, Phil Karlson's low budget B-grade film noir, opens on a Kansas City armored-car robbery perpetrated by cynical, corrupt ex-policeman Timothy Foster (Preston S. Foster). Foster devises an outrageous scheme: he will recruit three of the most vicious and unrelenting criminals he can find (screen heavies Lee Van Cleef, Jack Elam and Neville Brand) to undertake a robbery, blackmailing them into the heist with incriminating evidence from other "jobs."

As an eccentric and clever conceit, Foster forces each of the perpetrators to wear masks, thus concealing their identities from one another and preventing the old pitfall of the men squealing and backstabbing. The heist comes off without a scratch, but a complication arises when the ignorant cops pick up an unrelated fellow, Joe Rolfe (John Payne) for his ownership of a van similar to the one used in the caper.

In time, Rolfe is cleared, but he grows irate over the accusations and sets off to find Foster and co. and teach them a lesson. He finally happens upon one of the perpetrators in Mexico, beats him nearly to death, and assumes the victim's identity - and that's when things really get complicated. Though produced under the Hays Code censorship regulations, Kansas City Confidential constituted one of the most brutal and violent crime pictures made up through that time; as such, it retains historical significance. It also claims a strong cult following.

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Sunday, July 29

Wallander: Season 3

WALLANDER: SEASON 3


Kenneth Branagh returns to his remarkable Emmy and Golden Globe-nominated role as the soul-searching Swedish cop in Wallander III, with three gripping new Kurt Wallander cases based on the character created by bestselling novelist and father of the Nordic noir craze, Henning Mankell.
The somber inspector's hard-won and fragile new hope is put to the test when the most brutal of crimes — and his own demons — are unearthed. But you've got to give the emotionally uneasy cop credit for even trying.


An Event in Autumn
Whilst investigating the death of a pregnant girl,pushed off a ferry,Wallander discovers a ten-year old skeleton in the garden of the house where he lives with girl-friend Vanja. Elderly neighbour Fredrik points him towards the house's previous occupant,violent pimp Jan Petrus,whose daughter Ellika went missing a decade earlier. However,after the pregnant girl has been identified by a friend,who is also killed,Ellika contacts Wallander and gives him vital information to help identify the skeleton and her murderer. A confrontation with the killer also solves the more ...Watch online at one  two  three  four or five.

The Dogs of Riga
The discovery of two slain youths in a dinghy which washes into Ystad brings hard-drinking Latvian detective Karlis Liepa from Riga. He tells Wallander they were his informants in a drug-smuggling ring after the dinghy,containing cocaine,is stolen. Liepa is murdered on his return home,Wallander travelling to Riga to learn that the secretive detective did not show his case notes to his colleagues.After Wallander has discovered that his hotel room is bugged and he is being shadowed journalist Sergei Upitis tells him that Liepa was investigating corruption in his own ... Watch online at one  two  three  four or  five.

Before the Frost
An elderly woman is murdered in a wood by a man she saw setting fire to swans. He buries her corpse with a bible annotating the book of Revelations and from his finger-prints he is identified as Jannek Langas,a religious maniac and arsonist. He has escaped from a secure unit but nonetheless has a healthy bank account in an assumed name. At the same time Anna,a friend of Linda,disappears after a cryptic visit to Wallander. Following Langas's suicide by immolation Wallander learns that Langas and Anna belonged to the same,fundamentalist Christian group and that other ... Watch online at one  two  three  four or  five.


Watch seasons one and two here
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Tuesday, July 3

The Damage Done

The Damage Done:

A hired gun is tasked by the local sheriff to apprehend a bank robber in a hostile area of 1890 New Mexico. The dangerous assignment is complicated by a personal secret which the gunman is trying to protect.

Produced by Rainfall Films.

Watch on hostingbulk.com, filenuke.com, uploadc.com or zalaa.com.


The Damage Done from Rainfall on Vimeo.
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Friday, June 8

Coriolanus

Caius Martius 'Coriolanus' (Ralph Fiennes), a revered and feared Roman General is at odds with the city of Rome and his fellow citizens. Pushed by his controlling and ambitious mother Volumnia (Vanessa Redgrave) to seek the exalted and powerful position of Consul, he is loath to ingratiate himself with the masses whose votes he needs in order to secure the office. When the public refuses to support him, Coriolanus's anger prompts a riot that culminates in his expulsion from Rome. The banished hero then allies himself with his sworn enemy Tullus Aufidius (Gerard Butler) to take his revenge on the city.

Watch the trailer, below, and the movie at WatchFreeInHD, HDPlay, NowVideo, Zalaa, or PutLocker.

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Snow Flower and the Secret Fan

Snow Flower and the Secret Fan: In 19th-century China, seven year old girls Snow Flower and Lily are matched as laotong - or "old sames" - bound together for eternity. Isolated by their families, they furtively communicate by taking turns writing in a secret language, nu shu, between the folds of a white silk fan. In a parallel story in present day Shanghai, the laotong's descendants, Nina and Sophia, struggle to maintain the intimacy of their own childhood friendship in the face of demanding careers, complicated love lives, and a relentlessly evolving Shanghai. Drawing on the lessons of the past, the two modern women must understand the story of their ancestral connection, hidden from them in the folds of the antique white silk fan, or risk losing one another forever. Watch on HDPlay, PutLocker or WatchFreeInHD. Trailer below.

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Wednesday, May 23

The Gorgon

In early-twentieth-century middle-Europe, villagers are literally becoming petrified. Although the authorities try to hush the matter up, it is apparent that at the full moon, Megaera, a Gorgon, leaves her castle lair and anyone looking on her face is turned to stone.

When this fate befalls a visitor, experts from the University of Leipzig arrive to try and get to the bottom of it all.

Directed by Terence Fisher. Starring Christopher Lee, Peter Cushing, Richard Pasco, Barbara Shelley. Watch the trailer via YouTube, below. Watch the movie on StageVU one or two, or on Veoh.

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